Sometime around the turn of the century, an unknown Japanese DSP engineer engineered a radically weird compression algorithm for the Boss SP-303 Dr. Sample Sampler.
Years passed, and this “Vinyl Sim” compression languished in obscurity, a dark art known only to practitioners of instrumental beatmaking, producers like J Dilla and Madlib.
But then Vulfpeck’s Jack Stratton read about the compression algorithm on a forum and enlisted two friends, Devin Kerr and Rob Stenson (co-founders of Goodhertz), to bring that algorithm to life in a digital form.
But Devin did more than just bring it to life — he expanded the algorithm, fine-tuned the sound, perfected its oddity.
And now that compression is the Vulf Compressor.